What’s important to note about the verse progression in Say It is Flume strays away from the one chord for a “relatively” long amount of time. Now, what can you take away from this technique?ĭon’t be afraid to go back to the one chord at the end of a progression. Instead, it resolves within the progression itself. What’s interesting about the progression in Say It is that the resolution happens within the progression itself.īy starting and ending on the one chord, we’re not left waiting for the progression to loop and resolve. This is fairly typical in popular music, where the resolution doesn’t occur until the chord progression plays again. If I looped Progression 2, it would resolve every time it loops since it begins on C, which in this case is the “home” (i.e. Progression 2 leaves you hanging, since you expect it to go somewhere else. Progression 1 sounds better because it resolves. Which one of these two progressions makes you feel more comfortable? To show you how important the one chord is, let’s look at an example. It’s that one chord that provides resolution, resolution from the tension created by other chords in the song. How you choose to get there is what defines the emotional quality of your song. You can think of chord progressions as an elaborate way to get back to the one chord. It sets both the melodic and emotional foundation of a track. Remember, the one chord is your home base. Verse Progression: i – v – VI – III – iv – i This progression starts and ends on the one chord. All of the chords are diatonic to the key of D# minor, and they are all triads (three note chords). This progression is relatively straightforward. Let’s begin by breaking down what makes this chord progression work.
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